| # | Image | Description | Notes
|
| 32 |  | The Lily, 1918,
etching, 27.4 x 17.9 cm, Edition: 50 | Probably Phillips' last etching. It is dated '1918' in the plate.
|
| 33 |  | The Golden Hour, 1918, colour woodcut, 17.3 x 16.3 cm, Edition: 50 |
|
| 34a |  | Rose, 1918, colour woodcut, 13.9 x 11.2 cm, Edition: (first state): 50 |
|
| 34b |  | Rose, 1918, colour woodcut, 13.9 x 11.2 cm, Edition: (second state): unknown |
|
| 35a |  | The Lake, 1918, colour woodcut, 13.3 x 12.4 cm, Edition (first state): 50 |
|
| 35b |  | The Lake, 1918, colour woodcut, 13.3 x 12.4 cm, Edition (second state): 100 | The monogram in this second state would suggest that it was produced in the late 1920's.
|
| 36 |  | Winter in Winnipeg, 1918, colour woodcut, 10.4 x 13.4 cm, Edition unknown - 100? | Phillips sent this print as a Christmas greeting to friends in 1918.
|
| 37a |  | White Wilderness, 1918, colour woodcut, 13.8 x 25.7 cm, Edition (first state): 50 |
|
| 37b |  | White Wilderness, 1918, colour woodcut, 13.8 x 25.7 cm, Edition (second state): unknown |
|
| 38 |  | Margaret, 1918, colour woodcut, 10.9 cm (diameter), Edition: 50 |
|
| 39 |  | The Little Saskatchewan, 1918, colour woodcut, 13 x 25.1 cm, Edition: 50 |
|
| 40 |  | The Island, 1918, colour woodcut, 12.6 x 23.7 cm, Edition: 50 |
|
| 41 |  | [Program Plate for the Death of Pierrot], 1918, woodcut, 19 x 5.2 cm, Edition unknown |
|